THE WORK
A woman in sharp profile, rendered in flat geometric planes of ivory, charcoal, and hot magenta against a loose, brushy field of chartreuse. Her black bob sits like an architectural statement above angular facial features, eyes closed, red lips set in a line that reads as neither smile nor frown. A solid gold hoop earring pulls the eye to the jaw, deliberate and slightly theatrical. The jacket is fuchsia and structural, its collar slicing upward in hard black lines. Raw sketch marks cut across the composition at irregular intervals, giving the surface an urgency that keeps the image from ever settling into something comfortable. The background is unfinished by design, white canvas bleeding through at the edges, keeping the figure in a state of perpetual forward motion.
THE INSPIRATION
She came from an observation rather than a reference. The kind of woman you see at gallery openings and restaurant lunches, impeccably put together, deeply aware of time passing, and absolutely refusing to acknowledge it out loud. The geometric treatment flattens her into something almost graphic, which is the point: she has spent a lifetime constructing a version of herself, and that construction is visible in every deliberate line. The chartreuse behind her is not a peaceful backdrop. It is slightly aggressive, the colour of something alive and competitive.
WHAT IT CARRIES
There is real tenderness in this piece alongside the wit. The closed eyes are not serenity. They are the particular expression of someone choosing not to see what they are not ready to see. The solid gold hoop is a full stop at the end of a very long sentence about effort and identity. What lingers is not mockery but recognition. Most people who stand in front of this work for more than thirty seconds will know someone exactly like her. Several will realise they are her.
LIVING WITH IT
The palette of chartreuse, hot pink, and charcoal is striking without being aggressive, and it works particularly well against white, grey, or deep charcoal walls. This is a piece for a dressing room, a master bedroom, a boutique hotel suite, or a fashion-forward living space where personality on the wall is considered a design feature rather than a risk. It holds its own at A0 but loses nothing at A1. Natural light sharpens the contrast between the flat colour planes and the raw sketch lines, making the piece read differently morning to evening.
WHO IT'S FOR
For the woman who finds herself in it, the designer who needs a portrait with genuine character on a feature wall, and anyone who understands that the most interesting people in a room are always the ones trying hardest to look like they are not trying at all.
A NOTE ON SIZES
This design is available in a range of sizes to suit your space. Available as A0 and A1 poster prints, rolled and shipped. Also available as mounted canvas prints in 16mm, 25mm, 35mm, and 50mm profile thicknesses in both A0 and A1. A large format 1200 x 2000mm option is available on both poster and mounted canvas. Email jacques@jacquesviljoen.co.za for a quote and full details. Please note that proportions shown in previews are for display purposes only. Your final print dimensions will depend on the size you select.
The most popular size across our canvas range is the A0 in a 35mm profile frame.
